That's probably not the best intro, is it? My 6th grade english teacher would be ashamed of me. I'm not really sure how to communicate the adventures that lie in a skein (a ball, basically) of yarn.
This picture might do the trick. I took it at a yarn specialty store up in the mountains in Quincy, Ca. It's not as much about the string as it is looking at it collectively. One color - boring. Ten colors - cool. Tags - cool. Diagonal shelves - cool. Me writing "-cool" - cool. From those beautiful blobs of yarn could arise a headband or wall art or a blanket.
It is really important for me to get excited about my materials. I spend as much time organizing and arranging as I do working. That is probably not efficient, but I love my materials. I like the soft bundles of yarn and the needles that stab my bones when I am watching TV. If there is any point to this I guess it is: Connecting with your materials/media will communicate visually in the end. It is obvious when an artist chose a media they felt passionate about it vs. choosing it because it's "cool."
Have you seen the movie the Science of Sleep directed my Michel Gaundry? I am going to watch it in bed right now for inspiration. It's beautifully weird and quirky and weird. I love the way Stephane cannot distinguish between reality and his dreams. Plus, I'm obsessed with France even though I've never been there. In the end, is there a difference between reality and dreams?
Tomorrow I think I will write about French art.
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